news

In Conversation with Ebun A. Sodipo
January 2, 2020
The Super Hero Summit at Centre Pompidou, Paris
November 15, 2019
Languid Hands: Towards a Black Testimony at Stroom Den Haag
October 26, 2019
Languid Hands in Jerwood Collaborate!
October 8, 2019
Harm van den Dorpel talks to It’s Nice That
October 7, 2019
Super Taus and Taus Makchacheva present Super Heroes Sighting Society at Kadist, Paris
September 28, 2019
Taus Makhacheva in 15th Lyon Biennale 2019
September 18, 2019
Harm van den Dorpel’s left gallery: rite of acess at Stroom Den Haag
September 7, 2019
ARCOlisboa Lisbon: F*** Art! Lets Dance!, by Ben Austin
May 20, 2019
Les trois moments forts de la foire ArcoLisboa, by Jeanne Mercier
May 19, 2019
Taus Makhacheva shortlisted for the Future Generation Art Prize 2019
May 6, 2019
Harm van den Dorpel in New Art Anthology by Rhizome
April 1, 2019
Harm van den Dorpel in Vertiginous Data at MMCA, Seoul
March 23, 2019
Patrick Hough receives 2019 FLAMIN Productions Development Award
March 13, 2019
Roundup from the Armory Show 2019, by Mimi Wong
March 8, 2019
Hope punctures darkness in The Armory Show’s Platform Section, by Victoria Stapley-Brown
March 7, 2019
I Won a Trophy at the Armory Show – And So Can You!, by Sarah Cascone
March 7, 2019
Tumbling Dice: Super Taus Hands Out Trophies at the Armory Show, by John Chiaverina
March 6, 2019
Sally Tallant on the Armory’s Platform Section and Art as Hopeful Resilience, by Monica Uszerowicz
March 5, 2019
Taus Makhacheva in The Model, Sligo, Ireland
February 9, 2019
BaidÀ by Taus Makhacheva Reviewed in Artforum by Sylwia Serafinowicz
December 3, 2018
BaidÀ Reviewed in Art Monthly by Marcus Verhagen
November 29, 2018
False Starts by Patrick Hough reviewed in Frieze
November 21, 2018
Harm van den Dorpel in Panel Discussion at Art Basel Miami Beach 2018
October 20, 2018
Storeroom by Taus Makhacheva at Van Abbemuseum, Eindhoven
October 19, 2018
Patrick Hough in Artists’ Film International 2018 touring programme, Lisbon, Istanbul, Texas
October 9, 2018
In Search of the Ridiculous: Taus Makhacheva’s Performative Follies in Frieze
October 17, 2018
Rachel Lowe in Idle Hands: tricks in the art of doing, The Chopping Block, London
October 10, 2018
Patrick Hough at IMPAKT Festival, Utrecht
October 3, 2018
The Bureau of Authentication in Jerusalem Contemporary Art Festival
September 26, 2018
Taus Makhacheva at Art Gallery of Ontario, Toronto
September 21, 2018
a drop in the universe has universes of its own by Carlos Noronha Feio at Galerija 427, Riga
September 20, 2018
Harm van den Dorpel in damals und heute, Zentrum der Netzkunst, Berlin
September 15, 2018
Patrick Hough in Nature as Data, Shanghai
September 4, 2018
Taus Makhacheva shortlisted for Future Generation Art Prize 2019
July 20, 2018
False Starts by Patrick Hough at Solstice Arts Centre, Navan
August 24, 2018
Harm van den Dorpel in Proof of Work, Schinkel Pavilion, Berlin
August 15, 2018
Carlos Noronha Feio in The Fabric of Felicity, Garage Museum of Contemporary Art, Moscow
August 11, 2018
ASMR Spa by Taus Makhacheva, New Commission for Liverpool Biennial 2018
July 13, 2018
Harm van den Dorpel in I Was Raised on the Internet, Museum of Contemporary Art Chicago
June 23, 2018
The Mind’s Eye: The Photographs of Derek Parfit Panel discussion at The Photographers’ Gallery
June 8, 2018
What truth looks like
June 8, 2018
Rachel Lowe in Find your world in ours at Supersonic Festival 2018 and Ikon Gallery
June 6, 2018
Xiao-yang Li in Teratology
May 22, 2018
Taus Makhacheva in Manifesta 12
May 20, 2018
Antonis Pittas in VICE VERSA: Our Earth is their Moon, our Moon is their Earth
May 16, 2018
Taus Makhacheva in Starting from the Desert. Ecologies on the Edge
May 12, 2018
Patrick Hough in The 6th Moscow International Biennale for Young Art
May 10, 2018
Taus Makhacheva in Everything Was Forever, Until It Was No More
May 1, 2018
The Philosopher in the Darkroom
April 28, 2018
Conference in Honor of Derek Parfit at University of Oxford
April 1, 2018
Carlos Noronha Feio in Variations Portugaises at Abbaye Saint André – Centre d’art contemporain de Meymac
March 22, 2018
Patrick Hough in Artists’ Film International at Whitechapel Gallery, London
January 20, 2018
Left.gallery: Downloadable Objects, Blockchain, Bitcoin
January 8, 2018
Cloud Caught on a Mountain solo exhibition by Taus Makhacheva at Moscow Museum of Modern Art
December 12, 2017
183 Cloudism Library Stack on Blockchain Archives and Library Futures
January 5, 2018
Antonis Pittas in Io sono qui! at MACRO Testaccio, Rome
December 10, 2017
Rachel Lowe and Gavin Wade in conversation with Alison Green
October 20, 2017
Harm van den Dorpel in Open Codes at ZKM, Karlsruhe
October 16, 2017
Sketches from Nature limited edition by Taus Makhacheva
October 4, 2017
A Q&A with… Taus Makhacheva, video artist and Venice hit
September 20, 2017
Book Launch: APTART Exhibition Histories at Whitechapel Gallery, London
September 15, 2017
Harm van den Dorpel in Immortalism at Kunstverein Freiburg
September 14, 2017
Antonis Pittas in Extra Citizen at Kunsthal Extra City, Antwerp
September 7, 2017
A Matter of Trust lecture performance by Carlos Noronha Feio
August 24, 2017
Taus Makhacheva in the main project of the 4th Ural Industrial Biennial of Contemporary Art
July 10, 2017
Endless Celebration by Mahmoud Bakhshi on IBRAAZ
July 7, 2017
totem index by Xiao-yang Li reviewed in ArtAsiaPacific
July 5, 2017
Mahmoud Bakhshi in Rebel, Jester, Mystic, Poet: Contemporary Persians at The Museum of Fine Arts, Houston TX
July 2, 2017
Rachel Lowe in Lines of Light at University of Leicester
June 30, 2017
totem index by Xiao-yang Li in Wall Street International
June 23, 2017
Harm van den Dorpel in Site Visit at Kunstverein Freiburg
June 20, 2017
The Bureau of Authentication, Michal Baror and Patrick Hough The Bureau of Authentication, Michal Baror and Patrick Hough, Art Monthly in print May 2017
May 31, 2017
Carlos Noronha Feio: A Matter of Trust, Contemporary Art Centre (CAC), Vilnius
May 28, 2017
Venice Biennale: Whose Reflection Do You See?
May 22, 2017
57th Venice Biennale review – the Germans steal the show
May 14, 2017
Baida performance by Taus Makhacheva developed for 57th Venice Biennale
May 10, 2017
Taus Makhacheva: Tightrope by MOUSSE PUBLISHING
May 10, 2017
The Unity of Time and Place by Mahmoud Bakhshi, Artforum in print May 2017
May 5, 2017
Wall Street International writes about The Bureau of Authentication
April 25, 2017
This Is Tomorrow reviews Jerwood/FVU Awards 2017: Neither One Thing or Another
March 31, 2017
And If In A Thousand Years a film by Patrick Hough in Jerwood/FVU Awards 2017: Neither One Thing Or Another, Jerwood Space, London
March 13, 2017
The Unity of Time and Place, Mahmoud Bakhshi
March 12, 2017
Mahmoud Bakhshi: ‘I was focusing on the people who died, and on an artist doing something, which then has an effect that is a problem’
March 12, 2017
Mahmoud Bakhshi at narrative projects
March 11, 2017
The Unity of Time and Place: Iranian artist Mahmoud Bakhshi at narrative projects, London
March 11, 2017
The violence of Iran’s 1979 revolution
March 11, 2017
Cinema Rex Tragedy of 1978 is Recreated in London Exhibition by Mahmoud Bakhshi
March 10, 2017
Artist delves into Iran’s tragic cinema blaze
March 10, 2017
Mahmoud Bakhshi: The Unity of Time and Place
March 10, 2017
The Unity of Time and Place
March 10, 2017
Taus Makhacheva in Garage Triennial of Russian Contemporary Art
March 9, 2017
H I E R O P H A N I E S by Patrick Hough
March 2, 2017
Taus Makhacheva participating in 57th Biennale di Venezia VIVA ARTE VIVA!
February 9, 2017
Mahmoud Bakhshi in Rebel, Jester, Mystic, Poet: Contemporary Persians in Agha Khan Museum, Toronto
February 3, 2017
AQNB on Hybrid Vigor by Harm van den Dorpel
February 1, 2017
Taus Makhacheva in The Border: Exhibition Project of Goethe Institute, Museum and Exhibition Complex of the Russian Academy of Arts
January 31, 2017
Antonis Pittas, Road to Victory at Hordaland Art Centre, Bergen
January 27, 2017
Taus Makhacheva winner of Kandinsky Prize 2016
December 17, 2016
Carlos Noronha Feio in the new art fest 2016, Lisbon
November 9, 2016
Taus Makhacheva in Why Not Ask Again, the 11th Shanghai Biennale
November 7, 2016
ENDLESS CELEBRATION Installation by Mahmoud Bakhshi at the former site of the Lenin’s monument in Kyiv, Ukraine
October 31, 2016
Sława Harasymowicz, The Spring to Come at The Poetry Library, Southbank
October 4, 2016
Harm van den Dorpel at the ICA, London
October 4, 2016
H Y P E R C O N N E C T E D at MMOMA – Moscow Museum of Modern Art

August 8, 2016
From thingness point of view
August 1, 2016
Uncountable Youth / Moscow International Biennale for Young Art
July 15, 2016
The 5th Moscow Biennale for Young Art Signals Millennials’ Deepest Anxieties
July 8, 2016
Carlos Noronha Feio in Secret European Studio, ARTHOUSE1, London
July 7, 2016
Family Function: Harm van den Dorpel’s Algorithmic Art
July 2, 2016
Harm van den Dorpel in Wer nicht denken will, fliegt raus – Handlungsanweisungen nach Beuys at the Museum Kurhaus, Kleve
July 1, 2016
Patrick Hough in H Y P E R C O N N E C T E D, the Strategic project of the 5th Moscow International Biennale for Young Art at MMOMA Moscow Museum of Modern Art
June 29, 2016
discursive foundations of sunsight reviewed by James Gormley for This Is Tomorrow
May 30, 2016
Rachel Lowe in Found, a group exhibition at the Foundling Museum, London
May 27, 2016
Carlos Noronha Feio interviewed by Yvette Greslé in Contemporânea.pt
May 19, 2016
Congratulations to Patrick Hough on being a recipient of the Jerwood/FVU Awards 2017
May 12, 2016
Taus Makhacheva at La Galerie 0 – Espace Prospectif, Centre Pompidou, Paris
May 9, 2016
Rachel Lowe in a group exhibition Painting as Film
May 3, 2016
Congratulations to Harm van den Dorpel winner of Net Based Award
March 12, 2016
Carlos Noronha Feio in PERIPLOS / Arte portugués de hoy
February 19, 2016
Artist Profile: Harm van den Dorpel
February 10, 2016
Feature on Taus Makhacheva in Artforum
February 1, 2016
Mahmoud Bakhshi in Engage, Exchange at Kunstruimtevan De Nederlandsche Bank‬, Amsterdam
January 15, 2016
IOU Reviewed by Siobhan Leddy for This Is Tomorrow
December 15, 2015
Dissociative Social Media
December 14, 2015
Harm van den Dorpel Honors Hacktivists and Netizens in London
November 27, 2015
Harm van den Dorpel in Sunday Sessions at MoMA PS1
November 22, 2015
Mahmoud Bakhshi, bon-gah #1
October 8, 2015
Taus Makhacheva in 19 Contemporary Art Festival Sesc_Videobrasil
October 7, 2015
Patrick Hough in Levitate! at freiraum Q21 INTERNATIONAL in Vienna
September 21, 2015
Taus Makhacheva is presenting a new performance at 6th Moscow Biennale of Contemporary Art
September 20, 2015
Taus Makhacheva in Kyiv International Biennale 2015: The School of Kyiv
August 31, 2015
Round – tripping reviewed by Helena Haimes for This Is Tomorrow
August 4, 2015
Carlos Noronha Feio Oikonomia: A Matter of Trust reviewed in Contemporânea
July 20, 2015
Taus Makhacheva talks to Calvert Journal about the relationship between geopolitics, a societal change and food
July 16, 2015
Richard Parry on Art Zimbabwe
July 8, 2015
Taus Makhacheva exhibition reviewed in This Is Tomorrow
May 26, 2015
Carlos Noronha Feio Oikonomia: A Matter of Trust, Museu Nacional de Arte Contemporânea do Chiado, Lisbon
May 20, 2015
narrative projects on Artsy
May 15, 2015
The Guardian: Iran goes back to the future at Venice Biennale
May 19, 2015
Nástio Mosquito at the 56th Biennale di Venezia, Oratorio di San Ludovico, Dorsoduro
May 6, 2015
Patrick Hough in BLACK BOX 2.0, Seattle
May 4, 2015
Taus Makhacheva in conversation with Leeza Ahmady in IBRAAZ
April 1, 2015
Rachel Lowe exhibition reviewed in This Is Tomorrow
March 31, 2015
56th International Art Exhibition La Biennale di Venezia: Mahmoud Bakhshi, Gareth Nyandoro
March 14, 2015
Carlos Noronha Feio in MOSTYN OPEN 19
March 6, 2015
Patrick Hough in Breakin’ Up is Hard to Do at KARST, Plymouth
February 6, 2015
Nástio Mosquito solo show DAILY LOVEMAKING at Ikon Gallery, Birmingham
January 30, 2015
(In)sidenotes solo exhibition by Taus Makhacheva in Uppsala Art Museum
January 26, 2015
domus magazine reviews Too early, too late. Middle East and Modernity
January 22, 2015
Thought provoking review of Taus Makhacheva practice in Modern Painters
January 19, 2015
Too early, too late. Middle East and Modernity reviewed in Mousse
January 10, 2015
Works by Mahmoud Bakhshi and Taus Makhacheva are included in Too early, too late. Middle East and Modernity
January 6, 2015
Congratulations to Nástio Mosquito!
December 6, 2014
What? Whose? Why? project and TalkCloud exhibition at Yay Gallery in Baku are being reflected upon in IBRAAZ Platform 008
November 10, 2014
Mahmoud Bakhshi sculpture is in group show I WANT TO BE A FUTURIST in Turin, Italy
November 1, 2014
Patrick Hough is included in Wild Things at the Green Parrot, Barcelona
October 7, 2014
Carlos Noronha Feio is taking part in Afa an urban festival organized by Pop Hub Bari
September 15, 2014
Patrick Hough will present a new version of Object Interviews at Arnolfini, Bristol
September 12, 2014
Richard Parry is included in group exhibition Europe, Europe at Astrup Fearnley Museet
September 10, 2014
Pelican Haus launch their first album at Project Native Informant
July 22, 2014
EVA INTERNATIONAL 2014 Programme Launch and performance by Nástio Mosquito
March 16, 2014
Carlos Noronha Feio interviewed by Yvette Greslé
March 13, 2014
Carlos Noronha Feio at The Small Collections Room, Nottingham Contemporary
March 8, 2014
Richard Parry at the Mews Project space, London
March 5, 2014
Insightful review of Recalling the Future: Post-revolutionary Iranian Art on Sotheby’s Blog
January 19, 2014
Financial Times reviewed group exhibition Recalling the Future: Post-revolutionary Iranian Art
January 17, 2014
Mahmoud Bakhshi in ‘Recalling the Future: post-revolutionary Iranian art’ at The Brunei Gallery, SOAS, University of London
January 12, 2014
Nástio Mosquito performance is part of First International Conference. Performance Art: Ethics in Action in CCC Garage, Moscow
December 1, 2013
Carlos Noronha Feio in conversation with Daria Kirsanova
May 1, 2013